I’m a great list maker and planner. As you can see from my previous New Years Eve resolutions, however, I’m not always a successful completer of lists. Nevertheless (refusing to learn from past failures) I now have a list of projects that I want to work on as time opens up prior to the end of the year:
1: Art. New Styles. New Skillz.
As a book cover artist I get a bit tired of doing the same type of covers, and I’m sure that readers must get tired of seeing the same types of covers over and over again. This has led to some of the stress over the past year and dissatisfaction with work. I know authors, with everything riding on the success or failure of a new book, want something that they know readers in the past have liked. I know that, and I do understand it…but each time I get a brief for an urban fantasy cover that needs a tough-but-beautiful heroine with great hair wearing leather and jeans, standing in an urban landscape with magic effects on her hands or on her weapon of choice I feel tired. That’s not to say that I don’t love the hell out of that type of book, I really do love me a kickass female hero. And yet…I think we can all do something a bit different.
Part of the problem is stock. Most commercial stock images are outtakes from fashion or advertising shoots, modelling portfolio shots and so on. The models are pretty, but there are a lot of “model-y” poses (as one would expect). Action shots are really, really difficult to find and it’s even more difficult to find ones that haven’t already been used since everyone else is looking for those as well.
Now, lacking the finances to set up a studio again and shoot my own models, I’ve been looking at CGI models for bodies and costume. I’ve used a lot of these in the past, and when paired with a real model’s face and hair it’s difficult to tell that they were digital, especially when overpainted. This is one option for more interesting model shots with more life and action to them. Acquiring the 3D modelling skills needed to create the figures, skin them, and light them properly is a bit more difficult, more of a high learning curve.
So, that’s one thing.
2: Writing = Panic Mode.
For several years now I’ve been trying to clear the spare time to do some writing. The Clockwork Bluebird, my first project, needs re-working with a new ending and I have the sequel partially written. I have other projects (very different ones!) also pulling at me for attention. I am, I GODDAMN AM, going to devote some time to these so that I can get enough momentum going in order to not fall by the wayside in despair after I go back to work after the holidays. I’ll probably never be a great writer, maybe not even a good and professional one…but I think I could not embarrass myself. I want the chance to try, anyway. I want to tell these stories as best as I can.
- The Tatterdemalion Dancer. Clockpunk-fantasy sequel, underground carnival which is also a war between the Fae courts. A Goose Girl/Red Shoes mashup. :D
- A twisted Alice tale of madness: Suckerpunch meets Alice in Wonderland.
- My pooka story.
That shit is hella scary.
3. The Rest.
Other projects include work on the various cosplay outfits that I have littering the front room, which I’ve turned into a workroom. I want to put more time into my photography (and as a side note be able to use more of my own shots rather than having to buy so much stock!).
So…yeah. The list. Lists are terrifying.
Postscript: A video which captures The Tatterdemalion Dancer perfectly. <3
LE CIRQUE FEERIQUE Reel from Company XIV on Vimeo.
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Beautifully said, Ravven. And wonderfully felt. As one of many writers who proudly displays your amazing cover art atop her words, I want to encourage you to follow your heart and talents into the realm of your imagination and longing. I’m excited to witness your future successes–cover design, photography, writing, and all else you touch. You are extraordinary!
And you are one of the kindest and most generous people I know. :) Thank you, Tamara.